A good friend of the CLOT family, Doctor Woo has been tattooing for years, ever since Mark Mahoney invited him to be an apprentice. He’s become known for his intricate pieces that feature thin lines, dots and shadows.

Japanese brand F/CE.'s functional line of bags are all inspired by faraway countries - this time, it's France.

Known for her electrifying performances and rapping with other local names, Fotan Laiki is the absolute antithesis of a typical Hong Kong 22-year-old. 

These days, it isn’t often, or even likely, that a hip-hop collective is able to steamroll into the new year and completely dominate an entire industry, but that’s exactly what TDE seems to be doing. 

Footballers and fans alike can unite in excitement for adidas Originals upcoming trainer, the KAMANDA. 

After the recent release of ALYX's "Halcyon Blvd" men's SS18 collection, the brand is now introducing ALYX Visual to the family. The new line focuses on the use of upcycled textiles in collaboration with Recover Tex.

Revving up for spring and summer, SUICOKE launches a new collection of performance sandals for those who want a stylish warm-weather alternative to sneakers.

An exploration of hyper-reality exists with CLOT's upcoming Spring Summer 2018 collection titled "NEW WORLD." With modern sci-fi elements and vintage graphics alluding to the old world, the range presents an unexpected aesthetic. 

ACRONYM's Errolson Hugh is at the centre of attention for Nike's Air Max Day 2018 celebrations with the Air Vapormax Moc 2 collab.

Beginning as a regular feeding ground for Sydney’s keenest club dancers—their parties contained a very distinctive, very addictive secret sauce. We chatted with 1/5 of Pelvis, Elliot Shields, mostly about music things.

This season, CLOT presents the Spring Summer 2018 “NEW WORLD” collection. With inspiration from dystopian novel “Brave New World” by Aldous Huxley, the collection takes us on a journey to explore the importance of the individual. 

At this point, modernity can be reduced to an algorithm that gets to dictate the ephemera we scroll through. The truth is, Aldous Huxley’s 1932 dystopian classic contains some curiously prescient qualities.